d you t one day I e my name in pencil on teles in t not desire?
-- I speak of normal natures, said Stepold me t w ce sce pieces of dried cowdung.
Lynco a taking ts.
-- O, I did! I did! he cried.
Stepurned toer, ansened skull beneated cap brougepile. too, ile-like in glint and gaze. Yet at t instant, in t by one tiny , t and self-embittered.
-- As for t, Stepe parenthesis, we are all animals. I also am an animal.
-- You are, said Lynch.
-- But noal epinued. ted by improper estic means are really not estic emotions not only because tic in cer but also because t more t it dreads and responds to timulus of desires by a purely reflex action of tem. Our eyelid closes before t to enter our eye.
-- Not always, said Lyncically.
-- In tepo timulus of a naked statue, but it ion of ty expressed by tist cannot aion ion ic stasis, an ideal pity or an ideal terror, a stasis called fort last dissolved by y.
-- is t exactly? asked Lynch.
-- Rep formal estic relation of part to part in any estic s part or parts or of any part to tic .
-- If t is r me you call beauty; and, please remember, t a cake of co I admire only beauty.
Steping. tly, weed sleeve.
--e are rigo speak of to try to understand ture and, ood it, to try sloly to express, to press out again, from t it brings fortes of our soul, an image of ty and - t is art.
turning from t on by trees. A crude grey liger and a smell of branco tep.
-- But you ansion, said Lync is art? is ty it expresses?
-- t definition I gave you, you sleepy-cepo try to t tter for myself. Do you remember t? Cranly lost emper and began to talk about icklow bacon.
-- I remember, said Lyncold us about t devils of pigs.
-- Art, said Stepion of sensible or intelligible matter for an estic end. You remember t t. You are a distressing pair, you and Cranly.
Lync the raw grey sky and said:
-- If I am to l