r an instant.
-- t in ts I told you of. It erious try ts flung at it to back from fligalk to me of nationality, language, religion. I sry to fly by ts.
Davin knocked the ashes from his pipe.
-- too deep for me, Stevie, a mans country comes first. Ireland first, Stevie. You can be a poet or a mystic after.
-- Do you knoep eats her farrow.
Davin rose from to in a moment ly disputing wo players wch of four was
arranged, Cranly insisting, it rebound to ruck it strongly and sly too its thud:
-- Your soul!
Stepood ill to rise. to come away. Lynch obeyed, saying:
-- Let us eke go, as Cranly .
Step t.
t ter t of teps ted and Stepook a packet of cigarettes from and offered it to his companion.
-- I know you are poor, he said.
-- Damn your yellow insolence, answered Lynch.
ture made Stephen smile again.
-- It day for European culture, o swear in yellow.
t ttes and turned to t. After a pause Stephen began:
-- Aristotle defined pity and terror. I ed and said bluntly:
-- Stop! I listen! I am sick. I last nigh horan and Goggins.
Step on:
-- Pity is ts tsoever is grave and constant in es it error is ts tsoever is grave and constant in es it cause.
-- Repeat, said Lynch.
Steped tions slowly.
-- A girl got into a on, in London. So meet seen for many years. At treet t of a lorry sar. A long fine needle of t. Sant. ter called it a tragic deat is not. It is remote from terror and pity according to terms of my definitions.
-- tragic emotion, in fact, is a face looking toerror and toy, bot. You see I use t. I mean t tragic emotion is static. Or ratic emotion is. ted by improper art are kinetic, desire or loato possess, to go to someto abandon, to go from somets ic, are ts. tic emotion (I used term) is tatic. ted and raised above desire and loathing.
-- You say t art must not excite desire, said Lyncol