t discover t was my work.
M. I didnt recognize your work even.
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tures Of Novels versus t Of S Fiction
A. It alo me inappropriate to employ a sing for t fiction. Yetsome to make yourself stand out, t yourself! I ease after I received tor telling me t Murakami liked t!
M. Many people complain t its too co design the cover for my works.
A. It simply dra it seems t I was puso produceuncommon works!
M. Actually, I used to ime I ask for o convey tely hesame when I asked for your help.
A. ts too. Everytime I drao translate my feeling into to extract t sensational. Of course I tions into all ot satisfied only if t produce a completely newimpression!
M. Youve got pretty strong intuition! You catcever ideas in ot on t rigs to leave all to you.
A. You could acquire t you get yourself trained by tising company! (smiles)
M. ts terrific!
A. Yet sometimes I too feel I could capture easily. I remember once you asked me to design for Firefly, Burn tories. You ed to c I ed to try t metoo.
M. I belong to talkative and troublesome type. I asked you to use words for expression.
A. roublesome, ing t. But you do not belong to t type. You voice out your idea at tart.top saying anyt leave all to me.
M. Makis dra;alienation.quot; to design covers for my novels and you for my s fiction is not simply job devision. to e a long novel takes nearly a yearration of energy and spirit. t remains after ting is finiss s it e several s pieces muco designafter it ligen to my explanations and t. It is from t time on I start collectingtery drafts. to ask you to design covers for my s fiction, and let you quot;generalizequot; tion ofs stories.
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ords And tea Bowl
M. I ed to try art of Firefly. But t- Garde ... (laughs)