“The challenge,” Michael身体前倾，“is how to present this in a museum context. Games are for playing, not for looking. How do you make a playable experience work in an exhibition? People come, they have limited time, they may not want to sit and play for hours.”
这正是他们担心的。林薇展示了她设计的“切片方案”：精选场景，循环播放，配字幕解释。但Michael摇头。
“That turns it into a movie. The interactive essence is lost.”他想了想，“What if… we create a ‘meditative space’? A **all room, with screens on walls. The game runs in real time, but slowed down. A day in the game equals an hour in real time. Visitors can come in, sit, watch the world unfold. They can interact, but minimally: change weather, change time of day. Not to ‘play’, but to ‘observe’.”
这个想法让李君宪心里一动。慢速的、观察式的体验，正好符合“冲淡”和“悲慨”的气质。但技术上……
“技术上可行。”陈末在耳机里说，“我们可以做展览专用版本，锁定视角，简化交互，优化性能。但需要调整代码，时间很紧。”
“We can try.”李君宪对Michael说。
“Good.” Michael看了眼时间，“Now, about the embroidery. We’d like to display the original, with proper lighting and conservation. And we’d like to include a short video about your mother’s story. Would that be acceptable?”
叶晚看向李君宪。李君宪点头。叶晚说：“Yes. It’s okay.”
“Excellent.” Michael最后说，“Our exhibition ‘Poetry in the Digital Age’ opens in September. We’d like to include your work. But we need to see a complete, polished version of at least one realm by June for final selection. And we’d need the embroidery and all supporting materials by August.”
六月。现在四月。还有两个月。要完成“飘逸”的完整可展示版本，还要准备所有参展资料。
“We can do it.”林薇说，声音很稳。
“One more thing.” Michael顿了顿，“Funding. MoMA can provide a modest exhibition fee, and cover shipping and insurance for the artworks. But travel, accommodation, additional production costs… that would be your responsibility. Are you able to cover that?”
钱。又是钱。李君宪快速计算：纽约往返机票，最便宜的经济舱，一人也要七八千。住宿，哪怕最便宜的，一周也要几千。加上资料制作、额外设备……至少三四万。他们账上只有六千。
“We… will find a way.”他说。
Michael似乎看出了什么，但没有追问。“Alright. We’ll send a formal letter of intent. Please review and re