n and anecdotes or parables. ters containing t virulent attacks on Confucianism (not included extual critics" t seven cers. to understand because it is to talk of forgery. One can rest assured t textual critics" are unscientific because very little of it is picism, but consists of opinions as to style and o attack Confucius only in a mild and polisype of "criticism" in my long introduction to tory.) Only one or t, er interpolations and t is a subjective assertion of opinion. Even tions of style are faulty, and at least a distinction serpolations and side t seven cers, and it even occurred to tics to provide an anso o be sure t even t eloquent exposition of t as forgery, tse, o do lemen." On tes er generations into tremely loose structure of ters.
I ers, including all but one of t best seven cers. ition, ters are translated complete. t important are ters on "Levelling All tumn Floods." ters, "Joined toes," "runks" and "tolerance" belong in one group est against civilization. t eloquent protest is contained in "Opening trunks," ically taoistic is ter on "tolerance." t mystic and deeply religious piece is "t Supreme." t beautifully ten is "Autumn Floods." t is ter on "Deformities" (a typically "romanticist" t delig fantastic is t cer, "A ses parables in ters Phis volume.
I ranslation on t of A. Giles. It soon became apparent in my Giles ion yle untouco make my oranslation, taking advantage of ill I o debt to my predecessor, and ably succeeded in t task in many passages. co be different. In translation may be regarded as my own.
It sed t t text, Giles translates " means God. On term "Creator" is an exact rendering of ces t go into details of translation of oterms here.