rs and heir
morts, out of the picaroon, fox and flim and ogle.
Be advised, tories say: ter is no meat-and-potatoes , a Cat collection Fireworks.
Several of tories deal ry y and dark eroticism bruised and cers imagination. In quot;A Souvenir of Japanquot; s country before us. quot;tory of Momotaro, ;Mirrors make a room uncosy.quot; or presents o us as a sex object, complete ung lips. quot;I so I could cime and o get a; t least, beautiful; tors viely uncosy. quot;In tment store te Girls Only. t as gross as Glumdalclitc; In quot;Fles; te, erotic atmospicerature ed sexual perversities -- except ters constant self-a; I gone eigo find a climate eria in it to satisfy me?quot; or asks; as, in quot;terquot;, anotor admonis;Do not t realize ; and tory y t rescues -- brings to life -- ic piece of mood-music. Carters cold-er doucelligence often come to t runs too wild.)
In tories Carter enters, for t time, ter are lost in a sensual, malevolent forest, e, and eac good and evil, but incestuous sexuality. Incest -- a recurring Carter subject -- crops up again in quot;tioners Beautiful Daug;, a tale set in tessential Carter location -- one of tory quot;t;, quot;tsquot;. olves er-country villages and tamorphoses.
Carters otry is tist, trickster, teer. quot;t; takes o yet anotainous, Middle-European village ed like vampires (akes t) ised rites of immemorial beastliness in tsquot;. As in all Carters fairground stories, quot;tesque is t;. Lady Purple, trix marionette, is a moralists o a puppet because s;pulled only by trings of Lustquot;. Se of Pinoccamorp-;Masterquot;, one of t;unappeasable appetitesquot; to ial. In ion, t ladies in ional earth.
ters masterly married to ories needs. (For t of tic Carter, read ise C in spite of all t last novel, t of o endure.)
title story, or overture, begins as classic grand guignol: an innocent bride, a mucle stood upon a melting s room containing , murderous man: Carters first variation on ty and