s, at least, tairs neig al spat in bed, all is quiet.
Eleven-ty. trip of ligo the room.
Squeaking s, even larger t . . . Dussel is returning from ly le of paper (from tucking away in hroom.
Approximately to get up to use tin can under my bed, underneat clatters into tainside.
tty is returned to its place, and te nig causes Margot to exclaim every evening, quot;O indecent nig;) climbs back into bed. A certain somebody lies a fifteen minutes, listening to t. In t place, to airs, and to tairs, next door and in my room -- to tell , ted nine or ten times. tened profusely.
ternated tle smacking sounds, folloossing and turning and rearranging ter five minutes of perfect quiet, ts itself times, after wo sleep for a while.
Sometimes t, bet before it all of a sudden I find myself standing beside my bed, out of s. Occasionally Im dreaming so deeply (of irregular Frencairs) t I realize only ing opped and t Ive remained quietly in my room. But usually I door to Fat t described in thday poem:
s rino out in t, to sige. . .
Once Ive reac is over, except ra loud.
Six forty-five. Brrring . . . ts s any , to or not. Creak. . . wham. . . Mrs. van D.
turns it off. Screak . . . Mr. van D. gets up, puts on ter and races to throom.
Seven-fifteen. to t last, I remove t screen . . . and a nehe Annex.
Yours, Anne
t 5, 1943
Dearest Kitty,
today lets talk about the lunch break.
Its ty. t, and Mr. de Kok have gone home for lunch.
Upstairs you can iful and only rug. Margot tucks a fe; o be. Pim goes and sits in a corner ant companion, Dickens, in of peace and quiet. Motens upstairs to tle idy up bot time.
ty-five. One by one trickle in: first Mr.
Gies and times even Miep.
One. Clustered around ten raptly to time t interrupt eac argue he speaker.
One-fifteen. Food distribution. Everyone from doairs gets a cup of soup, plus dessert, if to be any. A